Deborah Remington

American, 1930-2010
SOLD
Untitled, 1954
**ADDITIONAL PAINTINGS BY THE ARTIST CURRENTLY IN INVENTORY. PLEASE CONTACT GALLERY FOR DETAILS.**

Expressionist painter and printmaker Deborah Williams Remington creates hard-edge abstractions that suggest a wide variety of subject matter including Japanese calligraphy, automobile parts, and bones of human beings.  Her work reflects two ongoing influences, which are her several years spent in the Orient studying calligraphy and her immersion in action painting when she was a student in San Francisco.

Remington was born in Haddonfield, New Jersey, where her father was a stockbroker and her mother an intelligent person who had much association with illustrators.  Her father died when she was young, and the family went to California where she attended high school in Pasadena.  She enrolled in the San Francisco Art Institute and became part of the Bay Area Figurative movement, the West Coast version of New York's Abstract Expressionism.  Teachers included David Park, Elmer Bischoff, and Clyfford Still, leaders of the Bay Area style.

Becoming part of the Beatnik scene, she ran the Six Gallery with several other artists, and this place was the gathering spot of leading-edge artists and poets including Allen Ginsberg who gave readings there that were shocking to many persons.

However, Remington became weary of Abstract Expressionism, perceiving that paintings in that style had little distinction, one from the other.  Reaching for a completely different discipline, she went to the Orient where she lived in Japan with a Japanese family, learned the language, and studied calligraphy with Toyoda Senseil.  For her, this immersion resulted in focus on the reality of objects, and refinement and control in the execution.  However, her Eastern travels ended when she nearly drowned in India in the Ganges River, while she was working as a cook with a technological team.  Coming this close to death, she decided it was time to focus her life on her career.

She returned to San Francisco, supported herself as a waitress, and devoted herself to creating a painting style that was uniquely her own.  Her mature style combines thick paint and detailed images, strong contrasts of light and dark, and a limited palette. These paintings "can best be described as having a porthole effect---one seems to be looking through a central opening at mysterious light spaces that suggest sea, sky, and infinity, and yet seem to reverse themselves and become a flat mirror..." (Rubinstein 334).

In 1965, Remington moved to New York City, where she lives today (2003).  In addition to painting, she has also been an art instructor in California at the San Francisco Art Institute and the University of California at Davis, and at Cooper Union in New York.

The Newport Harbor Art Museum in California gave Remington a 1984 retrospective exhibition. Deborah Remington worked with color lithography during 1973 to 1980 in Albuquerque, New Mexico at the Tamarind Institute.

National Academy of Design, N.Y., Benjamin Altman Award, 178th Annual Exhibition, 2003

Pollock-Krasner Foundation Grant, 1999

American Academy and Institute of Arts and Letters, Hassam & Speicher Purchase, 1988

Guggenheim Fellowship, 1984

National Endowment Fellowship, 1979

Tamarind Fellowship, Artist-In-Residence, Fall, 1973

Elected to the National Academy, New York, 1999

Interviewed by the Archives of American Art, Smithsonian Institution, Washington, DC, 1972 and 2004

Dilexi Gallery, San Francisco, 1962

San Francisco Museum of Art, 1964

Dilexi Gallery, San Francisco, 1965

Bykert Gallery, New York, 1967

Galerie Darthea Speyer, Paris, 1968

Bykert Gallery, New York, 1969

Galerie Darthea Speyer, Paris, 1971

Obelisk Gallery, Boston, 1971

Pyramid Gallery, Washington, D.C., 1973

Galerie Darthea Speyer, Paris, 1973

Bykert Gallery, New York, 1974

Brooke Alexander, Inc., New York, 1974     

Michael Berger Gallery, Pittsburgh, Pa., 1974

Pyramid Gallery, Washington, D.C., 1976

Zolla-Lieberman Gallery, Chicago, 1976

Hamilton Gallery, New York, 1977

Portland Center for the Visual Arts, Portland, Oregon, 1977

Museum, University of Missouri, Kansas City, Missouri, 1977

Art Gallery, Miami Dade Community, 1978 College, South Campus, Miami, 1978

Michael Berger Gallery, Pittsburgh, Pa., 1979

Bonfoey Gallery, Cleveland, Ohio, 1980

Mary Ryan Gallery, New York, 1982

Ramon Osuna Gallery, Washington, D.C., 1983

Newport Harbor Art Museum, Newport Beach, Ca., 1983

Oakland Museum of Art, Oakland, Ca., 1984

Adams-Middleton Gallery, Dallas, Texas, 1984

Museum, San Jose State University, San Jose, Ca., 1984

Ianuzzi Gallery, Phoenix, Az., 1985

Jack Shainman Gallery, New York, 1987

Shoshana Wayne Gallery, Los Angeles, Ca., 1988

Galerie Darthea Speyer, Paris, 1992

Select Group Exhibitions

1967 Annual Exhibition of Contemporary Painting, Whitney Museum of Art, NY, December 13, 1967- February 4, 1968

1972 Annual Exhibition: Contemporary American Painting, Whitney Museum of Art, New York, January 25- March 19, 1972

1965 Annual Exhibition of Contemporary American Painting, Whitney Museum of Art, NY, December 8- Jan30, 1966

Whitney Museum of American Art, New York

Boymans Museum, Rotterdam, Holland

Art Institute of Chicago, Illinois

Centre d'Art et de Culture George Pompidou, Paris

San Francisco Museum of Art, California

Carnegie Museum, Pittsburgh, PA.

Phoenix Museum of Art, Phoenix, AZ.

Milwaukee Art Museum, Milwaukee, WI.

Bibliotheque Nationale, Paris

Museum of Art, Indianapolis, Indiana

Auckland Museum, New Zealand

Toledo Museum of Art, Toledo, Ohio

Addison Gallery of American Art, Andover, Massachusetts

Aachenbach Foundation, San Francisco, CA.

Wadsworth Atheneum, Hartford, CT.

Oakland Museum of Art, Oakland, CA.

Weatherspoon Art Gallery, University of North Carolina, Greensboro,

Columbus Museum of Art, Columbus, Ohio

Museum of Art, University of California, Berkeley, CA.

Museum of Art, University of New Mexico, Albuquerque, N.M.

Grunwald Center for the Graphic Arts, Fine Arts Museum, UCLA, Los Angeles, CA.

Krannert Art Museum, University of Illinois, Champagne, 1L.

Newport Harbor Art Museum, Newport Beach, CA.

Smithsonian  American Art Museum, Washington, D.C.

Fort Wayne Museum of Art, Fort Wayne, IN.

Cleveland Museum of Art, Cleveland, Ohio

SamCleveuel P. Harn Museum of Art, Gainesville, FL.

Delaware Art Museum, Wilmington, DE.

New York Public Library, N.Y., N.Y.

Bryn Mawr College Art Gallery, Bryn Mawr, PA.

Nora Eccles Harrison Museum of Art, Logan, Utah

Woodmere Art Museum, Philadelphia, PA.

University of Texas-Pan American's Permanent Collection, Charles & Dorothy Clark Collection

National Academy of Design, New York, N.Y.

Worcester Art Museum, Worcester, MA.

Museum of Contemporary Art, San Diego, La Jolla, CA

Butler Institute of American Art, Youngstown, Ohio

The State Museum of Pennsylvania, Harrisburg, PA

Oklahoma City Museum of Art, Oklahoma City, OK

Jersey City Museum, Jersey City, NJ

Expressionist painter and printmaker Deborah Williams Remington creates hard-edge abstractions that suggest a wide variety of subject matter including Japanese calligraphy, automobile parts, and bones of human beings.  Her work reflects two ongoing influences, which are her several years spent in the Orient studying calligraphy and her immersion in action painting when she was a student in San Francisco.

Remington was born in Haddonfield, New Jersey, where her father was a stockbroker and her mother an intelligent person who had much association with illustrators.  Her father died when she was young, and the family went to California where she attended high school in Pasadena.  She enrolled in the San Francisco Art Institute and became part of the Bay Area Figurative movement, the West Coast version of New York's Abstract Expressionism.  Teachers included David Park, Elmer Bischoff, and Clyfford Still, leaders of the Bay Area style.

Becoming part of the Beatnik scene, she ran the Six Gallery with several other artists, and this place was the gathering spot of leading-edge artists and poets including Allen Ginsberg who gave readings there that were shocking to many persons.

However, Remington became weary of Abstract Expressionism, perceiving that paintings in that style had little distinction, one from the other.  Reaching for a completely different discipline, she went to the Orient where she lived in Japan with a Japanese family, learned the language, and studied calligraphy with Toyoda Senseil.  For her, this immersion resulted in focus on the reality of objects, and refinement and control in the execution.  However, her Eastern travels ended when she nearly drowned in India in the Ganges River, while she was working as a cook with a technological team.  Coming this close to death, she decided it was time to focus her life on her career.

She returned to San Francisco, supported herself as a waitress, and devoted herself to creating a painting style that was uniquely her own.  Her mature style combines thick paint and detailed images, strong contrasts of light and dark, and a limited palette. These paintings "can best be described as having a porthole effect---one seems to be looking through a central opening at mysterious light spaces that suggest sea, sky, and infinity, and yet seem to reverse themselves and become a flat mirror..." (Rubinstein 334).

In 1965, Remington moved to New York City, where she lives today (2003).  In addition to painting, she has also been an art instructor in California at the San Francisco Art Institute and the University of California at Davis, and at Cooper Union in New York.

The Newport Harbor Art Museum in California gave Remington a 1984 retrospective exhibition. Deborah Remington worked with color lithography during 1973 to 1980 in Albuquerque, New Mexico at the Tamarind Institute.

Awards & Memberships

National Academy of Design, N.Y., Benjamin Altman Award, 178th Annual Exhibition, 2003

Pollock-Krasner Foundation Grant, 1999

American Academy and Institute of Arts and Letters, Hassam & Speicher Purchase, 1988

Guggenheim Fellowship, 1984

National Endowment Fellowship, 1979

Tamarind Fellowship, Artist-In-Residence, Fall, 1973

Elected to the National Academy, New York, 1999

Interviewed by the Archives of American Art, Smithsonian Institution, Washington, DC, 1972 and 2004

Selected Exhibitions

Dilexi Gallery, San Francisco, 1962

San Francisco Museum of Art, 1964

Dilexi Gallery, San Francisco, 1965

Bykert Gallery, New York, 1967

Galerie Darthea Speyer, Paris, 1968

Bykert Gallery, New York, 1969

Galerie Darthea Speyer, Paris, 1971

Obelisk Gallery, Boston, 1971

Pyramid Gallery, Washington, D.C., 1973

Galerie Darthea Speyer, Paris, 1973

Bykert Gallery, New York, 1974

Brooke Alexander, Inc., New York, 1974     

Michael Berger Gallery, Pittsburgh, Pa., 1974

Pyramid Gallery, Washington, D.C., 1976

Zolla-Lieberman Gallery, Chicago, 1976

Hamilton Gallery, New York, 1977

Portland Center for the Visual Arts, Portland, Oregon, 1977

Museum, University of Missouri, Kansas City, Missouri, 1977

Art Gallery, Miami Dade Community, 1978 College, South Campus, Miami, 1978

Michael Berger Gallery, Pittsburgh, Pa., 1979

Bonfoey Gallery, Cleveland, Ohio, 1980

Mary Ryan Gallery, New York, 1982

Ramon Osuna Gallery, Washington, D.C., 1983

Newport Harbor Art Museum, Newport Beach, Ca., 1983

Oakland Museum of Art, Oakland, Ca., 1984

Adams-Middleton Gallery, Dallas, Texas, 1984

Museum, San Jose State University, San Jose, Ca., 1984

Ianuzzi Gallery, Phoenix, Az., 1985

Jack Shainman Gallery, New York, 1987

Shoshana Wayne Gallery, Los Angeles, Ca., 1988

Galerie Darthea Speyer, Paris, 1992

Select Group Exhibitions

1967 Annual Exhibition of Contemporary Painting, Whitney Museum of Art, NY, December 13, 1967- February 4, 1968

1972 Annual Exhibition: Contemporary American Painting, Whitney Museum of Art, New York, January 25- March 19, 1972

1965 Annual Exhibition of Contemporary American Painting, Whitney Museum of Art, NY, December 8- Jan30, 1966

Museums & Collections

Whitney Museum of American Art, New York

Boymans Museum, Rotterdam, Holland

Art Institute of Chicago, Illinois

Centre d'Art et de Culture George Pompidou, Paris

San Francisco Museum of Art, California

Carnegie Museum, Pittsburgh, PA.

Phoenix Museum of Art, Phoenix, AZ.

Milwaukee Art Museum, Milwaukee, WI.

Bibliotheque Nationale, Paris

Museum of Art, Indianapolis, Indiana

Auckland Museum, New Zealand

Toledo Museum of Art, Toledo, Ohio

Addison Gallery of American Art, Andover, Massachusetts

Aachenbach Foundation, San Francisco, CA.

Wadsworth Atheneum, Hartford, CT.

Oakland Museum of Art, Oakland, CA.

Weatherspoon Art Gallery, University of North Carolina, Greensboro,

Columbus Museum of Art, Columbus, Ohio

Museum of Art, University of California, Berkeley, CA.

Museum of Art, University of New Mexico, Albuquerque, N.M.

Grunwald Center for the Graphic Arts, Fine Arts Museum, UCLA, Los Angeles, CA.

Krannert Art Museum, University of Illinois, Champagne, 1L.

Newport Harbor Art Museum, Newport Beach, CA.

Smithsonian  American Art Museum, Washington, D.C.

Fort Wayne Museum of Art, Fort Wayne, IN.

Cleveland Museum of Art, Cleveland, Ohio

SamCleveuel P. Harn Museum of Art, Gainesville, FL.

Delaware Art Museum, Wilmington, DE.

New York Public Library, N.Y., N.Y.

Bryn Mawr College Art Gallery, Bryn Mawr, PA.

Nora Eccles Harrison Museum of Art, Logan, Utah

Woodmere Art Museum, Philadelphia, PA.

University of Texas-Pan American's Permanent Collection, Charles & Dorothy Clark Collection

National Academy of Design, New York, N.Y.

Worcester Art Museum, Worcester, MA.

Museum of Contemporary Art, San Diego, La Jolla, CA

Butler Institute of American Art, Youngstown, Ohio

The State Museum of Pennsylvania, Harrisburg, PA

Oklahoma City Museum of Art, Oklahoma City, OK

Jersey City Museum, Jersey City, NJ

By The Same Artist...

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