Renato Guttuso is one of the most tantalising Italian painters of the 20th century. He was a lifelong communist who loved the dolce vita — his long-term mistress Marta Marzotto was a countess — and his oeuvre is as brimful of contradictions as his life. Pablo Neruda was a witness at his wedding. Pasolini wrote a poem about one of his paintings. When he lined up his paintbrush with his politics, his vision sang with lyrical conviction.
Born in Bagheria, near Palermo, in 1911, Guttuso grew up in a country wracked by violence and poverty, yet his own world was abundant with the natural beauty — landscape, flowers, food — for which Sicily is famous. Later he would say that his “deeper and remote inspiration” was found in “my childhood, my people, my peasants . . . the gardens of lemons and oranges”.
After secretly belonging to the Italian Communist Party in the period when Mussolini was in power – during which he also opposed the neoclassicism advocated by the Fascists – Renato Guttuso became a key figure in the debate that emerged in post-war Italy between the politically engaged neo-realism encouraged by the Fronte nuovo delle arti and abstraction. His oeuvre gradually became influenced both by the new Art Informel trends and by the work of the Pop artists, which he saw for himself at the Venice Biennale of 1964. Furthermore, for a time he indentified with the existentialism of Giacometti and admired the new figuration of Francis Bacon and Gerhard Richter. The Italian painter was always attracted by large compositions illustrating revolutions, disasters or social themes, such as La Battaglia di Ponte dell'Ammiraglio dating from 1951, and selling at auction in 2004 for over $1,000,000.
Today there is a museum named after the artist in Bagheria, and his paintings can be found in major public collections, including MOMA, Art Institute of Chicago, National Gallery of Art, Tate, Hermitage, Thyssen-Bornemisza and more.
World Council of Peace Prize, Warsaw, Germany, 1950
Lenin Peace Prize, 1972
Italian Senate, PCI representative, Sciacca, 1976
Italian Communist Party
Gruppo dei Quattro, founder
Fronte Nuovo delle Arti, founder
Quadriennale expo, Rome, Italy, 1931
Art Institute of Chicago
Hermitage Museum, Saint Petersburg, Russia
Museum of Modern Art, New York City
National Gallery of Art, Washington D.C.
Tate Gallery, London, UK
Dublin City Gallery | The Hugh Lane, Dublin, Ireland
Estorick Collection of Modern Italian Art, London
Gallerie di Palazzo Leoni Montanari, Vicenza, Italy
GAM - Galleria Civica d'Arte Moderna e Contemporanea, Turin
Harvard University Art Museums, Massachusetts
Hirshhorn Museum and Sculpture Garden, Washington D.C.
Museo di Arte Moderna e Contemporanea, Trento, Italy
Palazzo Montecitorio, Rome
Palazzo Ruspoli, Rome
Thyssen-Bornemisza Museum, Madrid
University of Iowa Museum of Art, Iowa City
Utah Museum of Fine Arts, Salt Lake City