Renato Guttuso

Italian, 1912-1987
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**ADDITIONAL PAINTINGS BY THE ARTIST CURRENTLY IN INVENTORY. PLEASE CONTACT GALLERY FOR DETAILS.**
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Renato Guttuso is one of the most tantalising Italian painters of the 20th century. He was a lifelong communist who loved the dolce vita — his long-term mistress Marta Marzotto was a countess — and his oeuvre is as brimful of contradictions as his life. Pablo Neruda was a witness at his wedding. Pasolini wrote a poem about one of his paintings. When he lined up his paintbrush with his politics, his vision sang with lyrical conviction.

Born in Bagheria, near Palermo, in 1911, Guttuso grew up in a country wracked by violence and poverty, yet his own world was abundant with the natural beauty — landscape, flowers, food — for which Sicily is famous. Later he would say that his “deeper and remote inspiration” was found in “my childhood, my people, my peasants . . . the gardens of lemons and oranges”.  

After secretly belonging to the Italian Communist Party in the period when Mussolini was in power – during which he also opposed the neoclassicism advocated by the Fascists – Renato Guttuso became a key figure in the debate that emerged in post-war Italy between the politically engaged neo-realism encouraged by the Fronte nuovo delle arti and abstraction. His oeuvre gradually became influenced both by the new Art Informel trends and by the work of the Pop artists, which he saw for himself at the Venice Biennale of 1964. Furthermore, for a time he indentified with the existentialism of Giacometti and admired the new figuration of Francis Bacon and Gerhard Richter. The Italian painter was always attracted by large compositions illustrating revolutions, disasters or social themes, such as La Battaglia di Ponte dell'Ammiraglio dating from 1951, and selling at auction in 2004 for over $1,000,000.

Today there is a museum named after the artist in Bagheria, and his paintings can be found in major public collections, including MOMA, Art Institute of Chicago, National Gallery of Art, Tate, Hermitage, Thyssen-Bornemisza and more.

World Council of Peace Prize, Warsaw, Germany, 1950

Lenin Peace Prize, 1972

Italian Senate, PCI representative, Sciacca, 1976

Italian Communist Party

Gruppo dei Quattro, founder

Fronte Nuovo delle Arti, founder

Quadriennale expo, Rome, Italy, 1931

Art Institute of Chicago  

Hermitage Museum, Saint Petersburg, Russia

Museum of Modern Art, New York City

National Gallery of Art, Washington D.C.  

Tate Gallery, London, UK

Dublin City Gallery | The Hugh Lane, Dublin, Ireland

Estorick Collection of Modern Italian Art, London

Gallerie di Palazzo Leoni Montanari, Vicenza, Italy

GAM - Galleria Civica d'Arte Moderna e Contemporanea, Turin

Harvard University Art Museums, Massachusetts

Hirshhorn Museum and Sculpture Garden, Washington D.C.

Museo di Arte Moderna e Contemporanea, Trento, Italy

Palazzo Montecitorio, Rome

Palazzo Ruspoli, Rome

Thyssen-Bornemisza Museum, Madrid

University of Iowa Museum of Art, Iowa City

Utah Museum of Fine Arts, Salt Lake City

Renato Guttuso is one of the most tantalising Italian painters of the 20th century. He was a lifelong communist who loved the dolce vita — his long-term mistress Marta Marzotto was a countess — and his oeuvre is as brimful of contradictions as his life. Pablo Neruda was a witness at his wedding. Pasolini wrote a poem about one of his paintings. When he lined up his paintbrush with his politics, his vision sang with lyrical conviction.

Born in Bagheria, near Palermo, in 1911, Guttuso grew up in a country wracked by violence and poverty, yet his own world was abundant with the natural beauty — landscape, flowers, food — for which Sicily is famous. Later he would say that his “deeper and remote inspiration” was found in “my childhood, my people, my peasants . . . the gardens of lemons and oranges”.  

After secretly belonging to the Italian Communist Party in the period when Mussolini was in power – during which he also opposed the neoclassicism advocated by the Fascists – Renato Guttuso became a key figure in the debate that emerged in post-war Italy between the politically engaged neo-realism encouraged by the Fronte nuovo delle arti and abstraction. His oeuvre gradually became influenced both by the new Art Informel trends and by the work of the Pop artists, which he saw for himself at the Venice Biennale of 1964. Furthermore, for a time he indentified with the existentialism of Giacometti and admired the new figuration of Francis Bacon and Gerhard Richter. The Italian painter was always attracted by large compositions illustrating revolutions, disasters or social themes, such as La Battaglia di Ponte dell'Ammiraglio dating from 1951, and selling at auction in 2004 for over $1,000,000.

Today there is a museum named after the artist in Bagheria, and his paintings can be found in major public collections, including MOMA, Art Institute of Chicago, National Gallery of Art, Tate, Hermitage, Thyssen-Bornemisza and more.

Awards & Memberships

World Council of Peace Prize, Warsaw, Germany, 1950

Lenin Peace Prize, 1972

Italian Senate, PCI representative, Sciacca, 1976

Italian Communist Party

Gruppo dei Quattro, founder

Fronte Nuovo delle Arti, founder

Selected Exhibitions

Quadriennale expo, Rome, Italy, 1931

Museums & Collections

Art Institute of Chicago  

Hermitage Museum, Saint Petersburg, Russia

Museum of Modern Art, New York City

National Gallery of Art, Washington D.C.  

Tate Gallery, London, UK

Dublin City Gallery | The Hugh Lane, Dublin, Ireland

Estorick Collection of Modern Italian Art, London

Gallerie di Palazzo Leoni Montanari, Vicenza, Italy

GAM - Galleria Civica d'Arte Moderna e Contemporanea, Turin

Harvard University Art Museums, Massachusetts

Hirshhorn Museum and Sculpture Garden, Washington D.C.

Museo di Arte Moderna e Contemporanea, Trento, Italy

Palazzo Montecitorio, Rome

Palazzo Ruspoli, Rome

Thyssen-Bornemisza Museum, Madrid

University of Iowa Museum of Art, Iowa City

Utah Museum of Fine Arts, Salt Lake City

By The Same Artist...

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